Cite: Bartosz Wieczorek, Oblicza kina gruzińskiego, "Kultura - Media - Teologia", 2015( 22) nr 3, s. 9-20.
The purpose of this paper is to present, on the basis of foreign literature, the main characters and the main lines of development in the Georgian cinema since its inception to the present time. So far, in Poland there are no comprehensive development of this issue. The presented text focuses mainly on the history of Georgian cinema, showing the specificity and uniqueness. Closer to present is silhouette of Tengiz Abuladze, one of the greatest Georgian directors. This text does not pretend to present a comprehensive panorama of the Georgian cinema, but to outline the most important components. Full presentation of the Georgian cinema still requires numerous studies.