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Cite: , Oblicza kina gruzinskiego, "Kultura - Media - Teologia", 2021( 47) nr 5, s. 218-230.
DOI: 10.21697/kmt.47.11
The purpose of this paper is to present, on the basis of foreign literature, the main characters and the main lines of development in Georgian cinema from its inception to the present. In Poland there have been no comprehensive studies of this issue. The presented text focuses mainly on the history of Georgian cinema, showing its uniqueness. Closer to the present is the profile of Tengiz Abuladze, one of the greatest Georgian directors. This text does not pretend to present a comprehensive panorama of Georgian cinema, but it outlines the most important components. A full presentation of the Georgian cinema still requires numerous studies.
ORCID: 0000-0001-7724-5821
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